Baal Of Desire :: essays research papers

Baal Of Desire   Ã‚  Ã‚  Ã‚  Ã‚  On Thursday, November 7, I saw a performance of Baal, written by Bertolt Brecht and directed by Evan Parry. The play was not an emotional play, but an intellectual play. It caused the viewer to think about the existentialist nature of Brecht's writing and the underlying meaning of the play. Although I have studied existentialism and followed the play intently, I still could not fully understand what Brecht was trying to say through Baal. My interpretation is that Baal represents man and his desires and what those desires can lead to.   Ã‚  Ã‚  Ã‚  Ã‚  At the beginning of the play, Baal is in good spirits and loved by all. He has doors open to him; he is asked to publish his poetry and sing his songs at a bar. Through the play, his life gradually becomes worse because he drinks too much and has many girlfriends. People start to dislike him and he loses his apartment. Then more and more people start to dislike him and he moves from job to job and location to location with nothing but Ekart to see him through. But then he realizes that he is finally in love - with Ekart, but she doesn't love him and makes it obvious by having other men and women in her life. So, Baal kills her since he can't have her for his own. By the end, Baal has nothing but himself to blame for his condition. His drinking problem and his problem of seducing every woman he meets drives him to his death, and causes everyone to repudiate him.   Ã‚  Ã‚  Ã‚  Ã‚  The acting ranged from not-so-great to very good. The only problem was that since not all the actor's names were used, it was difficult to figure out who was who in most cases.   Ã‚  Ã‚  Ã‚  Ã‚  Baal, played by Robert Seay, was in the very good part of the spectrum. The amount of lined he had to memorize was great and he didn't stumble on them once. His emotion was clear throughout the play and his focus was obvious. The way he played drunk was great; his hair and shirt were disheveled, but he wasn't stumbling all over the place and slurring his words. He acted just like a drunk person trying his hardest to pretend to be sober. When he spoke you understood what he was feeling and saying because he spoke clearly, slowly and loudly which helps, but he also understood what he was saying, which helped the audience understand what he was feeling. At the end, when he was dying, the audience understood that he was dying alone, with nobody to help him through and that his

Feminists :: essays research papers

Feminists While surfing the internet yesterday I came across an article discussing women and their role in a changing society. The article, which was written by Karin Crosbie stated that although women have come a long way in the field of women's rights, there is still a long way to go. Crosbie stated that she is a feminist, and as a feminist it is her responsibility to see that action is taken to further the cause of the women by any means necessary. She explains that women should not have to prove anything to men by such means as shaving their legs, nor conform by covering up the natural self with makeup. I agree with the overall concept she is trying to convey, I feel that women do need to take action, and that not all opportunities are yet equal. The problem I have with her article is the image that she and other contemporary activists are coveying to the rest of society. When I think of a feminist two pictures come into mind. The first, which maybe a little outdated is a women like Susan B. Anthony, someone fighting for real issues that matter. The second is of a women like the author above, someone who is extreme just to be extreme. To my disappointment it seems the later is becoming more prevalent within society. After reading the article I scrolled down the page to where it listed "more feminist links", the five that were given consisted of; three lesbian rights pages, and two "neo-feminist pages". Thinking this must be only a small percentage of feminist pages which were given by this specific author, I went back and searched many of the feminist pages on the web myself. To my unpleasant surprise it turned out that almost all were expressive of the same extreme theme. So what does the current view of feminists as a whole mean to society? I feel that the current view of feminists is detrimental to the women's movement. One reason is that I feel the current views expressed by Crosbie are not only unattractive but in a way repulsive. Once women could be proud to say they were feminists. Today it is some kind of extreme word that places you amongst radicals. This image could turn away perspective activists who would be major contributors to the movement. Another reason is that the focus has become more on trivial extremities then on real issues. No one cares if women shaves her legs or not, and although it might be some kind of symbolic stand I feel it is a

Transgender Students and the Learning Process Essay -- Essays Papers

Transgender Students and the Learning Process Introduction Identity is a key factor of an individual in the society. Identity often is skewed despite the rhetorical statement: â€Å"You are who you are.† However, many times a society unconsciously attempts to mold the identities of individuals into homogenous products. The important thing is not to let yourself prejudge individuals or acts of people because this creates an assumption that brings a stigma against the individual. Transgender people face the difficult challenge of being accepted into society because they either do not fit a traditional gender assignment to their sex, or they are not willing to specify a particular gender recognized by society. The court case that I will use to explore transgender identity is Doe v. Yunits. The case of Pat Doe v. John Yunits involves a young, transgender student disciplined by school authorities. The school deems to be an authority on a person’s dress attire while attending school. The court goes through a series of deductio ns testing the freedom of expression, liberty in appearance, and the application of sex-class discrimination. While the ruling of the case brings awareness of the existence of transgendered people, it is stigmatized by a dominant culture whose basis of the legal system protects proscribed gender identities rather than the protection of freedom of choosing multiple identities. Additionally, the court deemed that Pat Doe has a medical condition that requires her to wear women’s garments. The medical condition called Gender Identity Disorder speaks volumes about how society treats unrecognized differences when it comes to diagnosing a gender expression. The information of the court case allows you to get em... ...aggy jeans and a white-beater is day he fails to uphold her true gender identity. Judith Butler in Stein’s article best describes this as â€Å"[D]rawing upon the queer practices of drag, cross-dressing, and butch-femme, she [Butler] develops a conception of gender as performance, and of gender parodies as subversive acts†(Stein 181). My question that comes out of queer analysis and the Doe v. Yunits, Why do people need to perform a gender act? Is it to assert a type of sexuality, sexual orientation, and or rather stereotyped one? Is a transgender person better to perform a gender act that is understood? If the transgender person performs an act contrary to gender they choose, is the person a hypocrite? Is my gender controlling me or I am taking charge of my gender? I hope have attempted to rock your thoughts and perceptions, and perhaps even fuck with your gender.

Cleopatras Initial Encounter With Caesar Essay -- Egypt History Paper

Cleopatra's Initial Encounter With Caesar Cleopatra is desperate-she needs to gain the throne of Egypt before her inadequate younger brother, Ptolemy, convinces Caesar to grant him full power. But alas, Cleopatra has been banished from Egypt by the ruthless Pothinus. Fortunately, the brilliant Cleopatra devises a plan to enter her Egyptian castle rolled up in a carpet, posing as a gift for the great Caesar. Her loyal servant, Apollodoros, carries her through a secret passageway and into the palace, where they are met by Caesar's guards. They continue into Caesar's quarters, where Apollodoros unrolls the carpet to reveal the stunning Cleopatra. Caesar is impressed not only by Cleopatra's intelligence, but also by her undeniable beauty, and pronounces Cleopatra the sole ruler of Egypt. Such is the story of the meeting of Caesar and Cleopatra as told by Plutarch and others that followed him. The extent of the story's truth remains a mystery, but it is likely that Plutarch included it in his account merely for entertainment value-it is only fitting that the alluring Cleopatra enters the castle with such a grand appearance. Because it is written in Plutarch's interpretation, many perceive the story as fact and include it in their own works. The scene, however-and the portrayal of Cleopatra within it-vary among different compositions. Regardless of the probable fictitious aspect of the scene, it is an important one, for it is in this scene that the level of Cleopatra's strength and power is revealed. INTELLIGENT YET INFERIOR Initially, it appears as though the rug scene is a display of Cleopatra's wit, for she uses her intelligence to devise a plan to enter the palace. In addition, it seems that Cleopatra has heightened ... ...lmi, Sr. With Billy Zane, Leonor Varela, and Timothy Dalton. ABC/Hallmark Entertainment, 1999. Cleopatra. Dir. Mankiewicz. With Elizabeth Taylor, Richard Burton, and Rex Harrison. 20th Century Fox, 1963. Foreman, Laura. Cleopatra's Palace: In Search of a Legend. New York: Discovery Books, 1999. George, Margaret. The Memoirs of Cleopatra. New York: St. Martin's Press, 1997. Gerome, Jean Leon. Cleopatra and Caesar. Private Collection. Hamer, Mary. Signs of Cleopatra. New York: Routledge, 1993. Hughes-Hallet, Lucy. Cleopatra: Histories, Dreams, Distortions. New York: Harper & Row, 1990. Plutarch's Lives of the Noble Grecians and Romanes [c. 100 C.E.]. Trans. Sir Thomas North (1579). Ed. Geoffrey Bullough, Narrative and Dramatic Sources of Shakespeare. Vol. V. Columbia UP, 1964. Shaw, Bernard. Caesar and Cleopatra [1898]. New York: Penguin, 1957. Cleopatra's Initial Encounter With Caesar Essay -- Egypt History Paper Cleopatra's Initial Encounter With Caesar Cleopatra is desperate-she needs to gain the throne of Egypt before her inadequate younger brother, Ptolemy, convinces Caesar to grant him full power. But alas, Cleopatra has been banished from Egypt by the ruthless Pothinus. Fortunately, the brilliant Cleopatra devises a plan to enter her Egyptian castle rolled up in a carpet, posing as a gift for the great Caesar. Her loyal servant, Apollodoros, carries her through a secret passageway and into the palace, where they are met by Caesar's guards. They continue into Caesar's quarters, where Apollodoros unrolls the carpet to reveal the stunning Cleopatra. Caesar is impressed not only by Cleopatra's intelligence, but also by her undeniable beauty, and pronounces Cleopatra the sole ruler of Egypt. Such is the story of the meeting of Caesar and Cleopatra as told by Plutarch and others that followed him. The extent of the story's truth remains a mystery, but it is likely that Plutarch included it in his account merely for entertainment value-it is only fitting that the alluring Cleopatra enters the castle with such a grand appearance. Because it is written in Plutarch's interpretation, many perceive the story as fact and include it in their own works. The scene, however-and the portrayal of Cleopatra within it-vary among different compositions. Regardless of the probable fictitious aspect of the scene, it is an important one, for it is in this scene that the level of Cleopatra's strength and power is revealed. INTELLIGENT YET INFERIOR Initially, it appears as though the rug scene is a display of Cleopatra's wit, for she uses her intelligence to devise a plan to enter the palace. In addition, it seems that Cleopatra has heightened ... ...lmi, Sr. With Billy Zane, Leonor Varela, and Timothy Dalton. ABC/Hallmark Entertainment, 1999. Cleopatra. Dir. Mankiewicz. With Elizabeth Taylor, Richard Burton, and Rex Harrison. 20th Century Fox, 1963. Foreman, Laura. Cleopatra's Palace: In Search of a Legend. New York: Discovery Books, 1999. George, Margaret. The Memoirs of Cleopatra. New York: St. Martin's Press, 1997. Gerome, Jean Leon. Cleopatra and Caesar. Private Collection. Hamer, Mary. Signs of Cleopatra. New York: Routledge, 1993. Hughes-Hallet, Lucy. Cleopatra: Histories, Dreams, Distortions. New York: Harper & Row, 1990. Plutarch's Lives of the Noble Grecians and Romanes [c. 100 C.E.]. Trans. Sir Thomas North (1579). Ed. Geoffrey Bullough, Narrative and Dramatic Sources of Shakespeare. Vol. V. Columbia UP, 1964. Shaw, Bernard. Caesar and Cleopatra [1898]. New York: Penguin, 1957.

Crime And Punishment :: essays research papers

In the novel Crime and Punishment, Dostoevsky portrays the main character, Raskolnikov, in a complex and unique fashion. He could have been portrayed as the good guy, bad guy, or just your average man on the street, but Raskolnikov is displayed with more than one persona. "It would have been much easier for Raskolnikov to explain his weekness, but it was more pleasant for him to consider himself a strong man" (Chizhevsky 164). Raskolnikov’s dream reveals that his personality is complex and double sided. His range of actions and emotions are more of a Dr. Jekyl and Mr. Hyde type character. On the outside, he appears to be in control of his raging homicidal tendencies, but he is full of turmoil on the inside. Raskolnikov’s dream presents these different personas Dostoevsky has given him. His dream also gives the reader a good, inside look into Raskolnikov’s interior conflicts (Chizhevky 191). In the beginning of his dream, Raskolnikov is out in the street . He seems to be wandering around aimlessly, with no recollection of what he is supposed to be doing or why he is there. Meanwhile, everyone else in the dream is carrying on like nothing is wrong. Before delving into the significance of this scene, the reader must note how important control is to him. He is an extremely proud man, and needs to be in control of himself and everything around him at all times (Magill 222). In his view, everything in his life should revolve around him. The beginning of the dream represents the loss of this control in his life. It seems that no matter what he says or does, the world will continue to spin, and the people on it continue to go about their everyday business. He can almost be compared to the young teenage girl that he finds wandering in the street due to the fact that any actions that this young girl takes makes no difference on the outside world (Chizhevsky 201). It is as though he has been psychologically raped by the murders he has committ ed, but at this point he is still unaware that he is no longer in control of his situation. No matter how he wants to feel or act, he cannot help his instinctual habits and desires (Mikhailovski 121). For instance, his health starts to fail him and he has this compulsive desire to reveal himself to the authorities and public by turning himself in.

Back to the Future: Past, Present, and Future

Jeff Harber Professor Barnaby Palmer GLA 618 OL1: Film Music History 6 December 2012 Back to the Future: Past, Present, and Future Whether you are a movie buff or just a dude from the 80's, there is a good chance you have seen the classic movie â€Å"Back to the Future. † Accompanied by an iconic cast and crew, the movie garnered so much popularity, Universal Studios pumped out three installments of the Trilogy –†Back to the Future 1, 2, and 3. With Steven Spielberg's and Robert Zemeckis' stamp, Back to the Future not only launched Michael J. Fox's career, but undoubtedly changed movies forever.There is much to discuss and analyze about all three installments. These would include actor choices, spotting, direction, acting, and most importantly the soundtrack and musical choices for all 3. Considering all 3 movie plots jump from decade to decade, it can be analyzed literally from past, present, and future. Inevitably, Back to the Future's success also led to severa l video game launches, a ride at Universal Studios in Hollywood and Orlando, an animated series, and even a comic book. Let's go back to the year 1985, you and your bodacious friends want to hang ten with the dudes, so you guys catch a flick at the local cineplex.Your choices are Mask, Teen Wolf, or Back to the Future. You mean the guy from Family Ties? So you take your chances on Back to the Future. Good choice! Of all things, Eric Stolz, the main actor in Mask, was originally cast for the role of Marty Mcfly when production of Back to the Future began on November 26,1984. Stoltz was filmed for four weeks, but after seeing a rough cut, Steven Spielberg and the writer/directors decided that Stoltz had played the role â€Å"too seriously† for a comedy, and he was replaced by Michael J. Fox (Futurepedia). Back To The Future was written by Bob Gale and Robert Zemeckis, and mainly starred Michael J.Fox and Christopher Lloyd. The movie opened on July 3, 1985 and grossed $210 milli on at the US box office, making it the highest grossing film of 1985 (IMDb). The basic synopsis of Back to the Future 1, is about a young man named Marty Mcfly who accidentally travels into the past and jeopardizes his own future existence. With the help of an eccentric local scientist named Dr. Emmett L. Brown, he manages to travel back in time via a time machine made from a DeLorean. This was done by breaking the time barrier in what was called temporal displacement allowing it to travel along the space-time continuum.When the first script was made, a refrigerator was the planned prop for the time machine. Later Steven Spielberg decided he didn't want kids trapped inside their refrigerators trying to play time traveling games (Funtrivia). Done carefully, Bones Howe (music supervisor) and Alan Silvestri (composer) gathered an array of perfectly fit songs to cater both the 1950's as well as the 1980's. The movie jumps from decade to decade throughout the movie, and makes it apparent when it does. The movie starts out when Marty is late for school, he gets on his skateboard and we hear a fantastic song by Huey Lewis and the News, the â€Å"Power of Love. Later in the movie, we hear another solid track by Huey Lewis entitled â€Å"Back in Time. † By the way, Huey Lewis makes a cameo as a judge. When Marty tries out for the school competition, Huey says, â€Å"hold it. hold it†¦ I'm afraid you are just too darn loud. † This is also considered diagetic music in the film. Marty's first time travel sent him to the year 1955. Marty, immediately, arrives at the Twin Pines Ranch, which was owned by Otis Peabody. Marty crashes into the barn on Mr. Peabody's property which causes the entire Peabody family to wake up and come outside.Marty encounters many differences between 1985 and 1955, including a cleaner, less run-down ambiance in the Courthouse Square. While searching for a younger Doc Brown, he meets his father and accidentally interferes with t he first meeting of his parents–being hit by his grandfather's Chevrolet in his father's place. While in the 1950's, some of the songs we hear are such great classics â€Å"Night Train† by Marvin Berry, â€Å"Earth Angel (Will You Be Mine)† by Marvin Berry, â€Å"Wallflower† by Etta James, and â€Å"Johnny B. Goode† by Chuck Berry aka Marty Mcfly.Some people complained that Back to the Future was a racist movie because Chuck Berry was inspired by a white guy. Sometimes a joke is just a joke; but Chuck Berry liked it. (Davis). Finally we have the sensational score by Alan Silvestri. At times the score is adventurous, and at times it's sad. The spotting is done just right to balance the dynamics of the movie. Also, there is a leitmotif that accompanies the movie, in fact, it accompanies all 3 movies of the trilogy, and never goes unnoticed. Upon the success of the first film, Robert Zemeckis (director) and Bob Gale (writer) agreed to do a 2nd movie.I n fact, they also intended on a 3rd movie, and both the 2nd and 3rd Back to the Future were filmed simultaneously and released six months apart. Back to the Future 2, with a budget of $40 million, grossed nearly $331 million at the box office (IMDb). The characters of George Mcfly and Jennifer Parker were played by different actors from those in the first film, requiring scenes that overlap to be re-shot. Jennifer Parker which was originally played by Claudia Wells, and replaced by Elisabeth Shue in the second film. Claudia claims she turned the roll down when she found out her mother was diagnosed with cancer (Futurepedia).George Mcfly, who was originally played by the quirky Crispin Glover, was later replaced by Jeffrey Weissman. Crispin Glover refused to return to the trilogy due to salary disputes. Back to the Future 2 pans back and forth from 1955, to 1985, and all the way to 2015; the past, present and future. Needless to say, Bob Gale and Zemeckis attempted to predict what 20 15 would like and sound like. Some songs used in the 2015 scenes, were â€Å"Beat it† by Michael Jackson, â€Å"I Can't Drive 55† by Sammy Hagar, â€Å"Mr. Sandman† by The Four Aces, and â€Å"Papa Loves Mambo† by the Perry Como.The filmmakers did do some research into what scientists thought may occur in the year 2015. Bob Gale also commented; â€Å"We knew we weren't going have flying cars by the year 2015, but God we had to have those in our movie. â€Å"(Q & A) The film was also considered one of the most ground-breaking projects for Industrial Light & Magic. It was one of the effects house's first forays into digital compositing, as well as the VistaGlide motion control camera system, which enabled them to shoot one of the film's most complex sequences, in which Michael J.Fox played three separate characters, all of whom interacted with each other. Although such scenes were not new, the VistaGlide allowed, for the first time, a completely dynamic s cene in which camera movement could finally be incorporated. The technique was also used in scenes where Thomas F. Wilson's character (Biff Tannen) had to interact with a younger version of himself. (Zemeckis) Six months after Back to the Future 2 was released in the theaters, the Back to the Future team released Back to the Future 3 on May 25, 1990.Again on a budget of $40 million, this one cashed in at $244 Million. The film takes place immediately after the events of Back to the Future Part II. While stranded in 1955, Marty McFly discovers that his friend Dr. Emmett â€Å"Doc† Brown was killed by Biff Tannen's great-grandfather Buford. Marty decides to travel to 1885 to rescue Doc and return to his own timeline. This time, Alan Silvestri had to create his soundtrack based in the year 1885. However, he still maintained the leitmotif throughout the picture.The years 1985 and 1955 are still relevant in the 3rd movie, and it jumps around. The popular group ZZ Top make an appea rance, as they perform â€Å"Doubleback† during a festival in 1885. This was also considered diagetic —-performed for the actors and the audience to hear. Huey Lewis' â€Å"Power of Love† is also heard again. In 1989, a video game, based on the original Back to the Future movie was produced for the 8-bit Nintendo Entertainment System (NES) by video game publisher LJN a subsidiary of Acclaim games. This has some similarity to the 1983 Atari video game E. T. where producers felt it would sell solely on brand association to the hit movie and the game designers were only given five weeks in order to produce a product to get it on the shelves for the 1982 Christmas shopping rush. Reviewers also cited that game as virtually unlike the film and was a major contributor to an economic downturn known as the Great Video Game Crash of 1983. There are only two songs found in the entire game. One is â€Å"Johnny B. Goode† which will play during the school dance that Ma rty is playing on stage and sounds close to the version heard in the film.The other song is a repetitive looping song that will play throughout the game in non-mini game moments. There are suggestions that the song is supposed to be â€Å"The Power Of Love† by Huey Lewis ; The News sped up and cycled differently. But it winds up sounding nothing like the actual song made famous in the movie. Nes also later released Back to the Future 2 and 3 as a single game in 1990. Back to the Future II ; III received largely negative reviews from critics. Stan Stepanic of Gamefreaks365. om gave the game positive remarks in regards to similarities with The Goonies II, but gave it a largely negative review due to the lack of a password or save feature coupled with its notorious length, although there was a code to skip to the second half of the game. Back to the Future II ; III's length has often been cited as the game's major weakness, Stan stating that it took him roughly six hours just to map it, and he spent so much time trying to finish it he actually turned it off out of boredom. (Gamefreaks). Sega Genesis also released their own version of Back to the Future 3 in 1991.It was a lot different than the Nintendo version. However, it was just as unpopular, the opening level was nearly impossible to complete. Finally in 2010, Telltale Games released Back to the Future on PC and Mac; and later was also released on the Ipad and Playstation 3. This was given way better reviews than the predecessors, and remains the best game of yet. Ben PerLee from GameZone summarized his praise of the game by saying it is a â€Å"feel good cinematic experience that any fan of Back to the Future will want to check out, and everyone else would do well to check it out. GameZone) Back to the Future: The Animated Series was an animated series based on the Back to the Future trilogy as well. The series lasted two seasons, each lasting 13 episodes, and ran on CBS from September 7, 1991 to Nov ember 28, 1992, the date of the last original episode. Harvey Comics also published a series of Back to the Future comic books starting in November 1991. With the cover header reading â€Å"The Adventure Has Only Begun! ,† the first issue featured Doc & Marty in 1927 Chicago. On May 2,1991 the Universal Studios Theme park in Florida released Back To The Future: The Ride.It was a simulator ride based on the popular movie trilogy of the same name. It was a mini-sequel to Back to the Future Part III. Later at Universal Studios Hollywood, they opened the same ride on June 12, 1993 ; and then at Universal Studios Japan on March 31, 2001. The Orlando and Hollywood versions closed in 2007 (Futurepedia). Although Back to the Future creators Robert Zemeckis and Bob Gale had no involvement with the ride, they were consulted as to whether they â€Å"got Doc right†. The two responded with a â€Å"yes†. They have also commented that â€Å"it's a great ride. In addition, ref erences are made to a â€Å"Zemeckis-Gale diagram† and â€Å"Gale-Zemeckis Coordinates (Giveneyestosee) With the huge success of the Back to the Future Trilogy, you can see where a simple idea can turn into a big one. When you take risks on a new actor, and stamp something with a touch of great directing, production, and a great score —- you never know what could happen. Back to the Future will always remain a classic no matter what generation it leads to; whether it be 1955,1985, or even 2015. Works Cited â€Å"Back to the Future II & III Review. Review. Gamefreaks365, n. d. Web. 6 Dec. 2012. â€Å"Back to the Future Part II. † IMDb. IMDb. com, n. d. Web. 10 Dec. 2012. â€Å"Back to the Future: The Ride. † FuturePedia. Wikia, n. d. Web. 6 Dec. 2012. â€Å"Back to the Future: The Ride. † Giveneyestosee. N. p. , n. d. Web. 10 Dec. 2012. â€Å"BTTF Trilogy. † The â€Å"Back To The Future† Trilogy. Funtrivia, n. d. Web. 10 Dec. 2012. à ¢â‚¬Å"Claudia Wells. † Futurepedia. Wikia, n. d. Web. 6 Dec. 2012. Davis, Cindy. â€Å"Pajiba. † Mindhole Blowers: 20 Facts About Back to the Future That Might Make Your Flux Capacitor Hit 1. 21 Gigawatts.N. p. , n. d. Web. 10 Dec. 2012. â€Å"Futurepedia. † Futurepedia. Wikia, n. d. Web. 6 Dec. 2012. IMDb. IMDb. com, n. d. Web. 10 Dec. 2012. PerLee, Ben. â€Å"Back to the Future: The Game Review. † Back to the Future – The Game Review. GameZone, 28 Dec. 2010. Web. 10 Dec. 2012. â€Å"Q&A Commentary with Robert Zemeckis and Bob Gale, Back to the Future Part II Blu-Ray, 2010. † Interview. DVD Blu Ray. N. d. Television. Robert Zemeckis, Bob Gale (2005). Back to the Future Feature: Making the Trilogy Part 2. Los Angeles: Universal Pictures. N. d. Television.

Nine Major Regulatory Bodies Essay

1. The Internal Revenue Service (IRS). The IRS was established in 1913. Its purpose is to administer and enforce the internal revenue laws. Its stated mission is to provide America’s taxpayers top quality service by helping them understand and meet their tax responsibilities and by applying the tax law with integrity and fairness to all. (Internal Revenue Service, 2008) 2. Securities and Exchange Commission (SEC). The Securities and Exchange Act of 1934 created the Securities and Exchange Commission (SEC) to regulate the securities market. â€Å"The mission of the U.S. Securities and Exchange Commission is to protect investors, maintain fair, orderly, and efficient markets, and facilitate capital formation†(U.S. Securities and Exchange Commission, 2008) 3. Financial Accounting Foundation (FAF). The Financial Accounting Foundation (FAF) is a private sector organization that formed in 1972 to create standards for financial accounting. Its mission is to â€Å"establish financial accounting and reporting standards through an independent and open process, resulting in financial reports that provide decision useful information† (Financial Accounting Foundation, 2008) 4. Financial Accounting Standards Board (FASB). The (FAF) formed the (FASB) in 1973 to set up standards for nongovernmental accounting and reporting. The mission of (FASB) is â€Å"to establish and improve standards of financial accounting and reporting for the guidance and education of the public, including issuers, auditors, and users of financial information (Financial Accounting Standards Board, 2008) 5. Governmental Accounting Standards Board (GASB). The Governmental Accounting Standards Board was organized in 1984 by FAF to generate GAAP for state and local governments. The mission of the GASB is to establish and improve standards of state and local government accounting and financial reporting that will result in useful information for users of financial reports and guide and educate the, including issuers, auditors, and users of those financial reports. (Governmental Accounting Standards Board, 2008) 6. Federal Accounting Standards Advisory Board. The (FASAB) was established in 1990 by the U.S. Secretary of the Treasury, the Director of the Office of Management and Budget, and the Comptroller General to produce GAAP for the federal government. The mission of the FASAB is to promulgate federal accounting standards after considering the financial and budgetary information, needs of citizens, congressional oversight groups, executive agencies, and the needs of other users of federal financial information. (Federal Accounting Standards Accounting Standards Advisory Board, 2008) 7. International Accounting Standards Board (IASB) Since its inception in 2001 the (IASB) has created global GAAP and standards. The mission of the (IASB) â€Å"is to develop, in the public interest a single set of high quality, understandable and international financial reporting standards (IFRS’s) for general purpose financial statements† (International Accounting Standards Board, 2008) 8. Public Company Accounting Oversight Board (PCAOB) The Sarbanes-Oxley Act of 2002 (SOX) established the Public Company Accounting Oversight Board to issue auditing standards for public auditing firms. The mission of the PCAOB is to oversee the auditors of public companies in order to protect the interests of investors and further the public interest in the preparation of informative, fair, and independent audit reports (Public Company Accounting Oversight Board, 2008) 9. American Institute of Certified Public Accountants (AICPA) The American Institute of Certified Public Accountants was born in 1887. The mission of the (AICP) â€Å"is to provide members with the resources, information, and leadership that enable them to provide valuable services in the highest professional manner to benefit the public as well as employers and clients† (American Institute of Certified Public Accountants, 2008) References American Institute of Certified Public Accountants. (2008). AICPA Mission. Retrieved November 20, 2008, from http://www.aicpa.org/About+the+AICPA/AICPA+Mission/ Federal Accounting Standards Advisory Board. (n.d.). Welcome to the Federal Accounting Standards Advisory Board. Retrieved November 20, 2008, from http://www.fasb.org/facts/ Financial Accounting Foundation. (n.d.). FAF Strategic Plan. Retrieved November 20, 2008, from http://www.fasb.org/faf/Strategic_Plan.shtml Financial Accounting Standards Board. (n.d.). Facts About FASB. Retrieved November 20, 2008, from http://www.fasb.org/facts/ Governmental Accounting Standards Board. (n.d.). Retrieved November 20, 2008, from http://www.gasb.org/. Internal Revenue Service. (n.d.). The Agency, its Mission and Statutory Authority. Retrieved November 20, 2008, from http://www.irs.gov/irs/article/0,,id=98141,00.html International Accounting Standards Board. (n.d.). About Us. Retrieved November 20, 2008, from http://www.iasb.org/About+Us/International+Accounting+Standards+Board+-+About+Us.htm Public Company Accounting Oversight Board. (2008). Our Mission. Retrieved November 20, 2008, from http://pcaobus.org/ U.S. Securities and Exchange Commission. (2008, November 7). The Investor’s Advocate: How the SEC Protects Investors, Maintains Market Integrity, and Facilitates Capital Formation. Retrieved November 20, 2008, from http://www.sec.gov/about/whatwedo.shtml