Shakespeare’s Powerful use of Characterization in The Tempest Essay

Shakespeares Powerful use of Characterization in The disturbance In The Tempest, Shakespeare investigates the process of creativeness as well as the intellect that knowledge is equivalent to power. The Bard draws on both Christian and Aristotelian philosophy to support the premise that morality and creativity are made possible only through the acquisition of knowledge. The characters of Prospero, Ariel, Caliban, and Miranda each represent a different factor in the creative process knowledge, creativity, medium, and closing product, art. Yet they represent something else, as well the deep divide between the social classes. The same imagery utilize to illustrate the creative process is used to support the European class system and the subjugation of the native peoples of the new world.Prospero as KnowledgeProspero symbolizes the first step in the creative process. He is knowledge, thought, and idea (Neilson 105). It was his idea to bring about the storm that would bring the ship to the island, facilitating the reconciliation between himself, his brother, and the king. Through his scheming, Miranda and Ferdinand met and became betrothed. Yet his ideas could not be put into effect without the table service of Ariel (103). Ariel was freed by Prospero, and became his instrument. Neilson writes, Prospero thinks-plans, but cannot practice. He needs a working agent to carry out his schemes (105). Caliban, Prosperos wayward servant, warns the co-conspirators in his plot to kill Prospero, Remember/ initiative to possess his books, for without them/Hes but a sot as I am, nor hath not/One spirit to command (3.2.86-89). Without the knowledge he has gained from his books, Prospero would have no to a greater extent power than Caliban. Prospero is a magician, yet h... ...om/servlet/LitRCJohnson, W. Stacy. The Genesis of Ariel. Shakespeare Quarterly. 11.3 (July 1951) 205-210. Rpt. in Shakespeare for Students. Book II. Literature Resource Center. Gale Group. Payson L ib., Malibu. 20 Feb. 2001. http//www.galenet.com/servlet/LitRCJones, Norman. Shakespeares England. A Companion to Shakespeare. Ed. David Scott Kastan. Oxford Blackwell, 1999. 25-42.Lee, Sir Sidney. Calibans Visits to England. Cornhill Magazine. 201 (March 1913) 333, 341-45. Rpt. in Caliban. Ed. Harold Bloom. New York Chelsea, 1992. 19-23.Martz, William J. The Place of the Tempest in Shakespeares Universe of Comedy. Kansas Coronado P, 1978.Neilson, Francis. Shakespeare and the Tempest. Rindge, NH Smith, 1956.Skura, Meredith Anne. The Case of Colonialism in the Tempest. Caliban.. Ed. Harold Bloom. New York Chelsea, 1992. 221-241.